#Rhinestone 1984 how to#
#Rhinestone 1984 movie#

Tim Thomerson - yes, Jack Deth from Trancers - shows up as JakeРІР‚в„ўs ex-fiancee Barnett Kale. They constantly argue, which is supposed to remind us of the sparkling dialogue of the 1940РІР‚в„ўs romantic comedies, but instead just reminds us how little chemistry two of the biggest stars of the 1970 s have with one another.

#Rhinestone 1984 how to#

So she takes him home to Tennessee to teach him how to be country. That said, if she wins, sheРІР‚в„ўs out of her contract.Р”Р‡reddie gets to pick that man and grabs New York cabbie NickР’В Martinelli (Stallone), who has no talent and hates country. She gets into an argument with the clubРІР‚в„ўs manager Freddie (Ron Leibman, whose career is one of the highest highs - winning a Tony in 1993 for Angels In America and being in Norma Rae - to the lowest of the lows, being in movies like Michael WinnerРІР‚в„ўs Won Ton Ton: The Dog Who Saved Hollywood and the abortive Mad Magazine film, Up the Academy), putting five more years of her contract and a night of sex on the line if she canРІР‚в„ўt turn a regular man off the street into a country star. I would stay more true to who I am and what the audience would prefer rather than trying to stretch out and waste a lot of time and peopleРІР‚в„ўs patience.РІР‚СњР”Вolly plays Jake Farris, a country singer stuck in a long-term contract performing at The Rhinestone.

I mean, would anybody pay to see John Wayne in a whimsical farce? Not likely. I certainly wouldРІР‚в„ўve steered clear of comedy unless it was dark, Belgian chocolate dark. I would have done many things differently. Bob is a nice guy, but the film went in a direction that literally shattered my internal corn meter into smithereens. But, I was asked to come down to Fox and out steps the director, Bob Clark. Believe it or not, I contacted WhitesnakeРІР‚в„ўs management and they were ready to write some very interesting songs alongside DollyРІР‚в„ўs. I wanted the music at that time to be written by people who would give it sort of a bizarre edge.

#Rhinestone 1984 movie#

Stallone had plenty to say about this film when he spoke to AinРІР‚в„ўt It Cool News: РІР‚СљThe most fun I ever had on a movie was with Dolly Parton on Rhinestone I must tell everyone right now that originally the director was supposed to be Mike Nichols, that was the intention and it was supposed to be shot in New York, down and dirty with Dolly and I with gutsy mannerisms performed like two antagonists brought together by fate. He was so offended by StalloneРІР‚в„ўs rewrite that he briefly considered having his name removed from the filmРІР‚в„ўs credits, but was convinced that it would look good on his resume. Phil Alden Robinson made his screenwriting debut with this film and luckily, he didnРІР‚в„ўt quit, as he went on to write All of Me and FletchР’В before writing and directing Field of Dreams and Sneakers. Just imagine that statement - I am someone that has sat through Troll 2 numerous times, has endured multiple Jess Franco movies in one night and has even made it through countless direct to video films that haunted the shelves of Blockbuster and West Coast Video. In the grand totality of bad movies, this might very well be the worst that I have ever endured. This is the kind of movie that Ed Wood and Claudio Fragrasso would make fun of. ItРІР‚в„ўs as if it sets a bar and then continually trips over it, again and again, taking down the talents of Dolly Parton, Sylvester Stallone and Bob Clark in its wake, like an endlessly swirling toilet that has transformed into a black hole where no goodness can escape. Rhinestone achieves a level of bad movie that even I didnРІР‚в„ўt know was possible. In addition, Dolly received a GRAMMY nomination for Best Female Country Vocal Performance with the song, РІР‚СљTennessee Homesick Blue.I thought I knew what bad movies were all about, but I never knew it could be like this. The soundtrack included two top 10 hits for Dolly, РІР‚СљGod WonРІР‚в„ўt Get YouРІР‚Сњ and РІР‚СљTennessee Homesick BluesРІР‚Сњ which went to No. РІР‚СљSweet LovinРІР‚в„ў FriendsРІР‚Сњ by Dolly Parton andР’В Sylvester Stallone.РІР‚СљWoke Up in LoveРІР‚Сњ and Sylvester Stallone.РІР‚СљStay Out of My BedroomРІР‚Сњ and Sylvester Stallone.РІР‚СљGoinРІР‚в„ў Back to HeavenРІР‚Сњ byР’В Stella PartonР’В andР’В Kin Vassy.РІР‚СљThe Day My Baby DiedРІР‚Сњ by Rusty Buchanan.The song appears on two of DollyРІР‚в„ўs solo albums, РІР‚Сљ Eagle When She FliesРІР‚СњР’В and РІР‚Сљ Halos & Horns.РІР‚Сњ In her book, РІР‚Сљ Dolly: My Life and Other Unfinished Business,РІР‚Сњ she credits her work on this soundtrack as some of her best and the song РІР‚СљWhat a HeartacheРІР‚Сњ as one of her personal favorites. The soundtrack was released in May of 1984 on the RCA Nashville imprint. The filmРІР‚в„ўs soundtrack consists of 14 songs all composed by Dolly. In 1984, Dolly teamed up with actor Sylvester Stallone in the film, РІР‚Сљ Rhinestone.РІР‚Сњ Dolly played a country music star who, on a bet, must transform an obnoxious New York City cab driver, played by Stallone, into a singer. The motion picture soundtrack, РІР‚ВRhinestone,РІР‚в„ў featuresР’В 14 songs byР’В Dolly and Sylvester Stallone